Free Ebook Composition (Eyewitness Art)By Sarah Kent
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Composition (Eyewitness Art)By Sarah Kent
Free Ebook Composition (Eyewitness Art)By Sarah Kent
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Explains ever type of composition throughout art history, from geometrical shapes to asymmetry, perspective, and the ideal of the "golden section," and demonstrates how composition has influenced artist decisions for tone, color, and light. 15,000 first printing.
- Sales Rank: #1216080 in Books
- Brand: Brand: DK ADULT
- Published on: 1995-03-15
- Original language: English
- Number of items: 1
- Dimensions: 11.25" h x .55" w x 8.84" l,
- Binding: Hardcover
- 64 pages
- Used Book in Good Condition
From School Library Journal
YA?A mini-course in art appreciation. By presenting the basic elements and applications of composition, Kent explains how paintings are viewed, and how the artist arranges the work for best representation. Balance, perspective, design, symmetry, horizon, sequence, light, color, and the other aspects of composition are described in a lucid text that delineates the features of individual paintings. Over 70 Western masterpieces are displayed with analyses of the artists' techniques. Readers are drawn along the splendid pageant of art history from the 15th-20th centuries by examples of innovations introduced by painters from da Vinci to Picasso. Each picture features a separate aspect of composition, which is interpreted for viewers. While the glossary doesn't cover all terms used in the text, the definitions provided are quite sufficient. The material is so attractively and clearly presented that this is a "must purchase" for any collection.?Catherine Noonan, Fairfax County Public Library, VA
Copyright 1995 Reed Business Information, Inc.
From Library Journal
In this excellent book, London-based contemporary art critic Kent sets out to explain composition?why and how painters divide up the surfaces of their pictures?by looking closely at specific masterpieces. Her very effective selections include well-known works by masters such as Manet, Gainsborough, and Picasso. To describe and illustrate ideas like perspective, color, and narrative, she naturally leans more heavily on representational traditions, but the final few pages of her short book do address more recent experiments with abstraction. Kent's captions are deftly written, and she articulately explains both the conceptual and tangible elements contained within a four-sided work of art. Like previous titles in Dorling Kindersley's extremely useful series (e.g., Sculpture, LJ 11/15/94), Kent's is geared toward the beginning student of painting or art history, and it's easy to imagine this book serving as an invaluable supplementary text for a first-year art history course. Despite its brevity, Composition goes far beyond the desultory treatment that this topic receives in most histories of art. Highly recommended for all collections.?Douglas F. Smith, Oakland P.L., Cal.
Copyright 1995 Reed Business Information, Inc.
From Booklist
Gr. 7^-12. From the Eyewitness Art series, this fully illustrated book analyzes composition in art, using as examples European paintings from the Renaissance to the twentieth century. Each double-page spread highlights a topic, such as leading the eye, moving the horizon, breaking the frame, and curvilinear compositions. A paragraph discusses the subject, while the full-color reproduction of at least one painting appears twice: first in its entirety, then with details isolated or with superimposed lines pointing out aspects of the composition. Captions give background information on the painting and how it illustrates the main point. A well-designed, informative guide for those who create art, or who simply enjoy looking at pictures. Extensive glossary appended. Carolyn Phelan
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